

Raoul lifts Christine off her feet into his arms and holds her.) Both: Anywhere you go, let me go too, Love me, that's all I ask of you. Both: Share each day with me each night, each morning, Christine: Say you love me. Christine: Say you'll share with me one love, one lifetime, Say the word and I will follow you. Anywhere you go let, me go too, Christine, that's all I ask of you. Say you need me with you here, beside you. Raoul: Then say you'll share with me one love, one lifetime. And you, always beside me, To hold me and to hide me.

Christine: All I want is freedom, A world with no more night. You're safe, no one will find you, Your fears are far behind you. Raoul: Let me be your shelter, Let me be your light. Say you need me with you now and always, Promise me that all you say is true. Christine: Say you'll love me every walking moment, Turn my head with talk of summer time.

I love it :)'All I Ask of You' preformed by the Broadway cast of The. I'm here with you, beside you, To guard you to guide you. Just a song that I had on my computer that I figured I'd upload. Let me be your freedom, Let daylight dry your tears. I'm here nothing, can harm you, My words will warm and calm you. Lyrics Raoul:all I ask o $ _o < No more talk of darkness, Forget these wide-eyed fears. It is set in the key of D flat/ C sharp, containing a total of 5 flats (B, E, A, D and G) and is set to a beat of 4 crotchets per bar. The song is considered one of the hardest to master in the entire musical. During the song, Raoul and Christine began to fall in love on the rooftop. Why Have You Brought Me Here? Raoul, I’ve Been ThereĦ.A duet from the 1986 musical. I Remember…/Stranger Than You Dream Itġ0. Little Lotte…/The Mirror…(Angel of Music)Ħ. These include 7 Tony Awards (including Best Musical), 3 Olivier Awards (including Musical of the Year), 3 Outer Critic Circle Awards (including Best Musical), 7 Drama Desk Awards and an Evening Standard Award.ģ.

Since then, The Phantom of the Opera has won over 50 major theatre awards. Sarah premiered the role at Her Majesty’s Theatre in London on and at the Majestic Theatre on in New York. Having originated and defined the female lead role, it’s not surprising that Sarah will probably always be regarded as the quintessential Christine in this landmark musical. Written by Andrew Lloyd Webber during his marriage to Sarah, The Phantom of the Opera is perhaps the musical theatre production that best showcases Sarah’s uncannily broad vocal range. This original London cast recording was the first in British musical history to enter the charts at number one.
